Musique de
François Rossignol

Filmography

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Built to last cover
Sinopsis cover
Sinopsis cover
Sinopsis cover
Sinopsis cover
Winter Range cover
La Peur au Ventre cover
Initiation cover
La Nuit Finira cover
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Built to last
(2015)
Erik Rochner
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La Femme Nue
(2014)
Francis Lacelle
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Sinopsis of Genres 5 & 6
(2014)
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Sinopsis of Genres 3 & 4
(2013)
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Sinopsis of Genres 1 & 2
(2012)
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Winter Range
(2012)
Erik Rochner
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La Peur au Ventre
(2012)
François Fournier
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Initiation
(2011)
Archie Kao
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La Nuit Finira
(2010)
François Fournier
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Lost Odissey
(2005)
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Sound Designs
for Horror
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Built to Last

Erik Rochner, Director
Music, François Rossignol

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La Femme Nue

Francis Lacelle, Director
Music, François Rossignol

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5

Alien Land; Epic Battle;
Metal Zombies; Necropolis.

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6

Red Riding Hood; Sinking Dolac;
Armenia; Browden Hill.

Sinopsis of Genres

5 and 6
Music by François Rossignol

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3

Criss Cross; The Fairies of St-Barnabe;
The splendours of China.

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4

Retro Sci-Fi; Space exploration;
Modern urban drama.

Sinopsis of Genres

3 and 4
Music by François Rossignol

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1

Au Versant, Joust, Hollow Creek, Dolby.

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2

Antartique, Phantasmagoria, Mr. Thompson, Filigranes.

Sinopsis of Genres

1 and 2
Music by François Rossignol

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Introduction

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Pivot

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Conclusion

Winter Range

(Filmed in the Paradise Valley of Montana)
Erik Rochner, Director
Music, François Rossignol

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Credits

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Gloves

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Bus ride

Gut Wrenching Fear (v.f. La Peur Au Ventre)

François Fournier, Director
Eric Hoziel (La donation, Lance et compte)
Jorge Banos
Music, François Rossignol

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Initiation

Archie Kao (CSI Las Vegas), Director
Ashley Bell (The last Exorsice I, II)
Mark Vann (The black swan, CSI Las Vegas)
Music, François Rossignol, Troy Hardy

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Parking lot

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Credits

La Nuit Finira

François Fournier, Director
Réjean Lefrançois (Elle veut le chaos, Fortier)
Alexandre Goyette (Laurence Anyways, Le sens de l'humour)
Music, François Rossignol

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Lost Odissey

animated Cinematic
Music, François Rossignol

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Horror Sound Design

sound design by François Rossignol

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'It's not just about making music that fits with the
mood. For the composer, it also has to do with writing
synchronised symphonies to timecoded images'.

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